4:01Plays here · Open on youtube ↗
“So I've been using AI music tools for about two years now, and I'm going to be honest,”
The opening line · 0:00 · move: problem
Uses a rights, policy, or creator-control objection to make Suno the subject of a consequential music-industry argument: Why I Stopped Using Suno (And Found A Better AI Music Workflow).
@Project Feelz · — followers · 5 of 30 recent posts mention Suno · creator page →
- 0:00So I've been using AI music tools for about two years now, and I'm going to be honest, most of them don't work for me anymore.
- 0:07And it's not because the technology got worse, but it's because I grew the way you expected to create with AI tools.
- 0:13Let me show you what I mean.
Name a threat to a creator's catalog or income, turn policy into a high-stakes story, and make Suno the central character even when the verdict is hostile.
Musicians, attorneys, and AI-music commentators explaining lawsuits, ownership rules, copyright flags, and platform enforcement · 28 creators · 28 posts
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@Project Feelzyoutube · — followers · median 572 views · n=60best post9.6K16.7×views · for SunoUnknown “Why I Stopped Using Suno (And Found A Better AI Music Workflow)” identifies suno; public caption checked, commercial relationship unverified — https://www.youtube.com/watch?v=BahL_Nj-1m8Open creator →Views and likes are public counts at capture time. The multiple compares this post with the creator’s own recent median, not a claim about what caused its reach. Read the methodology →