1HOOK · problemPrice the old workflow0:00
Making a sequence like this used to require complex compositing, heavy fluid simulations,
PROGRAM2:35The anchor — the post this playbook is read from.
Open the post page →
Give standing creators early product access and credits, then let each translate the same release into a workflow their own audience already understands.
Who runs it Five explicitly named Luma Creative Partners applying launches to continuous sequences, trailers, APIs, and experimental films
1Making a sequence like this used to require complex compositing, heavy fluid simulations,
2Today I orchestrated this entire unbroken shot inside the new Luma AI agent.
3First I'm going to do it the old way, then I'll let the agent do it the new, easier way.
4Okay, now using a very rough prompt, pretty much me rambling what I want and hoping for the best.
5What is that? It gave it a thumbs down. Interesting. This is the first time I see that.
6Some models let you extend clips but usually you have to get a picture of the last frame,
7Right, now we do it the easy way. I am just going to ask it to put all these clips together
Earlier playbook analysis · not fully re-reviewed in the latest pass
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8Generating human motion usually falls apart because models do not understand gravity.
9When you collaborate with an agent that understands space and motion, you get your time back.
10The link is in the description. Try it out.